Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 49 | Christmas Eve | THe Tower of Babel | Author: Santiago Rebull, Mexican painter. | Face and Peace Fohansen Lamnar Underline in order to flush attend to to Arctic |
Related Artists:
Hubert Vos
(1855-1935) was a Dutch painter who was born in Maastricht on February 15, 1855. He studied at the Academie Royale des Beaux-Arts in Brussels and with Fernand Cormon (1845-1924) in Paris. He exhibited widely in Paris, Amsterdam, Brussels, Dresden and Munich. From 1885 to 1892, he worked in England, where he exhibited at the Royal Academy between 1888 and 1891. He was a member of the Royal Society of British Artists. In 1898, he visited Hawaii, where he painted the local people. In that same year, Vos traveled to Korea, where he completed at least three paintings in duplicate. In each case, he left one copy in Korea and kept one copy. The paintings are a life-sized portrait of Emperor Gojong, a portrait of Min Sang-ho (1870-1933) and a landscape of Seoul. The copies left in Korea hung in the Deoksugung Palace until all except the landscape of Seoul, were destroyed by fire in 1904. In 1905, on his second and last trip around the world.
George Horlor
British 1849-1891
John Roddam Spencer Stanhope
English Pre-Raphaelite Painter, 1829-1908,English painter. The second son of Yorkshire landed gentry, he was educated at Rugby and Christ Church, Oxford. In 1850 he studied in London with G. F. Watts, through whom he entered the artistic circle at Little Holland House, where he met D. G. Rossetti and Edward Burne-Jones. In 1857 Rossetti invited him to paint at the Oxford Union (Sir Gawaine and the Damsels at the Fountain), and in 1858 Stanhope occupied a studio next to Rossetti's at Chatham Place, Blackfriars (London), where he painted Thoughts of the Past (London, Tate); a modern-life subject indebted to Rossetti, it shows a prostitute recalling her former life. Stanhope's close friendship with Burne-Jones proved a more decisive influence on his work that, in the 1860s, consisted of dreamlike poetic and mythological subjects often set in quaint, enclosed spaces, as in I Have Trod the Winepress Alone